Spring in Park Lane

Spring in Park Lane is a 1948 British romantic comedy film produced and directed by Herbert Wilcox and starring Anna Neagle, Michael Wilding and Tom Walls. It was part of a series of films partnering Neagle and Wilding. It was the top film at the British box office in 1948 and remains the most popular entirely British-made film ever in terms of all-time attendance. It was shot at the Elstree Studios of MGM British with sets designed by the art director William C. Andrews. Some location shooting also took place in London.

A footman, Richard, is employed by Joshua Howard, an eccentric art collector. His niece and secretary, Judy, has her doubts that Richard is the footman he pretends to be. In fact, he is Lord Brent, brother of one of Judy's suitors - George, the Marquess of Borechester.

Prior to his arrival in the Howard domestic household, Richard went to America to sell some old paintings to restore his aristocratic family's fortunes, but on the way back received a message that the cheque he was given for the paintings is invalid. Richard subsequently decided to 'hide' until he saved enough money to return to America. Over time as a footman, Judy notices how knowledgeable Richard is about many cultural things from art, poetry, music and dancing and begins to suspect he is not who he says he is. Things become interesting when his brother visits as one of Judy's suitors.

Through their various interactions, Richard and Judy fall in love, and as he is about to return to America they discover that the cheque for his family's paintings was valid after all.

Spring in Park Lane was the most successful film release of 1948 in the United Kingdom.[5][6] According to Kinematograph Weekly the "biggest winner" at the box office in 1948 Britain was The Best Years of Our Lives with Spring in Park Lane being the British film with the largest box-office and "runners up" being It Always Rains on Sunday, My Brother Jonathan, Road to Rio, Miranda, An Ideal Husband, The Naked City, The Red Shoes, Green Dolphin Street, Forever Amber, Life with Father, The Weaker Sex, Oliver Twist, The Fallen Idol and The Winslow Boy.[7]

It reportedly recouped £280,193 in the UK.[1] According to another account as of 30 June 1949 the film earned £370,000 in the UK of which £280,193 went to the producer.[2]

In a 2004 survey by the BFI it was rated 5th in the all-time attendance figures for the United Kingdom, with total attendance of 20.5 million, still the largest figure for a wholly British made film.[8][9][10] Wilcox claimed the film earned £1,600,000 at the British box office.[11]

Reviews were generally positive, Variety said, "incident upon incident carry merry laughter through the picture".[12] and The New York Times described it as "attractively witty".[13]

A follow-up, Maytime in Mayfair, was released the following year.

Robert Farnon provides the soundtrack, his light orchestral version of the folk tune "Early One Morning" proving particularly popular at the time.