1. | | Shooting the Mafia | 2019 | | 6,8 | | | | | 34% | 33 | |
2. | | Samsara | 2011 | | 8,5 | 0% | 87% | 65,0 | 8,2 | 55% | 89.489 | |
3. | | Beyond Punishment | 2015 | | 7,2 | | | | | 36% | | |
4. | | Master of the Universe | 2013 | | 7,2 | 0% | 55% | | | 36% | 1.312 | |
5. | | Work Hard – Play Hard | 2011 | | 6,9 | 0% | 56% | | | 35% | 193 | |
6. | | BRASCH – Das Wünschen und das Fürchten | 2011 | | 6,5 | 0% | 0% | | | 33% | | |
7. | | Sauacker | 2013 | | 0,0 | | | | | 0% | 460 | |
8. | | Taste the Waste | 2010 | | 7,6 | | | | | 38% | 25.876 | |
9. | | In Sarmatien | 2013 | | 8,0 | 0% | 0% | | | 40% | | |
10. | | Gerhard Richter – Painting | 2011 | | 7,2 | 89% | 73% | | | 36% | 6.785 | |
11. | | PUSH – Für das Grundrecht auf Wohnen | 2019 | | 7,2 | | | | | 36% | 454 | |
12. | | Es hätte schlimmer kommen können – Mario Adorf | 2019 | | 7,1 | | | | | 36% | | |
13. | | Fighter | 2016 | | 8,1 | | | | | 41% | 872 | |
14. | | Talking About Trees | 2019 | | 8,0 | | | | | 40% | | |
15. | | Wildes Herz | 2017 | | 7,1 | | | | | 36% | 20.536 | |
16. | | Krieg und Spiele | 2016 | | 6,8 | | | | | 34% | | |
17. | | I Am Not Your Negro | 2016 | | 7,8 | 98% | 83% | | | 39% | 213.802 | |
18. | | Von Caligari zu Hitler | 2014 | | 7,3 | 0% | 78% | | | 37% | 1 | |
19. | | Bowling for Columbine | 2002 | | 8,0 | 0% | 82% | 72,0 | 6,9 | 58% | 6.135 | 2003 |
20. | | This Ain’t California | 2012 | | 7,3 | 81% | 83% | | | 37% | 8.636 | |
21. | | The Other Side Of The River | 2022 | | | | | | | 50% | | |
22. | | Where to, Miss? – Eine Frau kämpft für Ihren Traum | 2016 | | 7,5 | | | | | 38% | 1.367 | |
23. | | Pianomania | 2009 | | 7,5 | 76% | 81% | | | 38% | 0 | |
24. | | Voices of Transition | 2012 | | 8,3 | 0% | 0% | | | 42% | 3.157 | |
25. | | Sofia’s letzte Ambulanz | 2012 | | 7,4 | 0% | 71% | | | 37% | 1.235 | |
26. | | The Doors: When You’re Strange | 2009 | | 7,7 | | | | | 39% | 0 | |
27. | | Mali Blues | 2016 | | 7,1 | 0% | 0% | | | 36% | 6.724 | |
28. | | Cicero – Zwei Leben, eine Bühne | 2022 | | 8,0 | | | | | 40% | | |
29. | | An Impossible Project | 2020 | | 7,1 | | | | | 36% | | |
30. | | O.J. Simpson: Made in America | 2016 | | 8,9 | 0% | 0% | | | 45% | 4.728 | 2017 |
31. | | Searching Eva | 2019 | | 6,5 | | | | | 33% | 966 | |
32. | | Alphabet | 2013 | | 7,4 | 0% | 73% | | | 37% | 17.492 | |
33. | | The Act of Killing | 2012 | | 8,2 | 95% | 85% | 89,0 | 8,3 | 73% | 23.109 | |
34. | | Am Limit | 2007 | | 7,2 | 80% | 76% | 71,0 | | 51% | 165 | |
35. | | Myanmarket | 2017 | | -1,0 | | | | | -5% | | |
36. | | Leaning into the Wind – Andy Goldsworthy | 2017 | | 6,8 | | | | | 34% | 4.730 | |
37. | | Pina | 2011 | | 7,7 | 0% | 81% | 83,0 | 7,2 | 64% | 0 | |
38. | | Citizenfour | 2014 | | 8,1 | 0% | 87% | 88,0 | 7,7 | 71% | 58.852 | 2015 |
39. | | Das andere Rom | 2013 | | 6,2 | 79% | 50% | 64,0 | | 40% | 6.031 | |
40. | | Die Wirklichkeit kommt | 2014 | | -1,0 | 0% | 0% | | | -5% | 281 | |
41. | | Drachenmädchen | 2012 | | 7,3 | 0% | 78% | | | 37% | 2.027 | |
42. | | Der Perlmuttknopf | 2015 | | 7,6 | 93% | 82% | | | 38% | 0 | |
43. | | Une rose ouverte / Warda | 2019 | | | | | | | 50% | | |
44. | | Hundesoldaten | 2016 | | 7,8 | | | | | 39% | | |
45. | | Die Rote Linie – Widerstand im Hambacher Forst | 2019 | | 7,4 | | | | | 37% | 1.473 | |
46. | | Entre les Bras – 3 Sterne. 2 Generationen. 1 Küche. | 2012 | | 6,2 | 67% | 45% | | | 31% | 541 | |
47. | | Maria by Callas | 2017 | | 7,2 | 89% | 77% | | | 36% | 5.404 | |
48. | | Unter Menschen | 2013 | | 7,9 | 0% | 0% | | | 40% | | |
49. | | Searching for Sugar Man | 2012 | | 8,2 | 0% | 92% | 79,0 | 8,3 | 65% | 35.237 | 2013 |
50. | | Hüte dich vor Ginger Baker | 2012 | | 7,6 | 98% | 86% | | | 38% | 12.370 | |
51. | | Die Nordsee von oben | 2011 | | 7,2 | 0% | 0% | | | 36% | 10.004 | |
52. | | Wer hat Angst vor Sibylle Berg | 2015 | | 6,2 | | | | | 31% | | |
53. | | Tardi – Schwarz auf Weiß | 2014 | | | | | | | 50% | 203 | |
54. | | Alpgeister – Mythen und Mysterien der Bayerischen Alpen | 2019 | | | | | | | 50% | 128 | |
55. | | Nanga Parbat | 1953 | | 7,3 | | | | | 37% | | |
56. | | Der Waldmacher | 2022 | | 7,2 | | | | | 36% | | |
57. | | We Are All Detroit – Vom Bleiben und Verschwinden | 2021 | | 6,8 | | | | | 34% | | |
58. | | The Big Eden | 2011 | | 7,3 | 0% | 0% | | | 37% | 131 | |
59. | | Night Will Fall | 2014 | | 8,0 | 100% | 92% | | | 40% | | |
60. | | Vom Bauen der Zukunft – 100 Jahre Bauhaus | 2018 | | 6,7 | | | | | 34% | 2.386 | |
61. | | Die Familie | 2013 | | 6,7 | 0% | 0% | | | 34% | 348 | |
62. | | Kings of Kallstadt | 2014 | | 6,2 | | | | | 31% | 1.570 | |
63. | | Die Gabe zu heilen | 2017 | | | | | | | 50% | | |
64. | | Land in Sicht | 2013 | | 5,9 | 0% | 0% | | | 30% | 633 | |
65. | | Anderson | 2014 | | 6,6 | 0% | 0% | | | 33% | | |
66. | | The Look – Charlotte Rampling | 2011 | | 6,7 | 84% | 50% | 58,0 | | 39% | | |
67. | | Fair Traders | 2018 | | 6,9 | | | | | 35% | 482 | |
68. | | Schotter wie Heu | 2002 | | 7,8 | 0% | 0% | | | 39% | | |
69. | | Der NSU-Komplex | 2016 | | 6,5 | | | | | 33% | | |
70. | | David wants to fly | 2010 | | 6,8 | 0% | 74% | | | 34% | 1.364 | |
71. | | Kedi – Von Katzen und Menschen | 2016 | | 7,7 | 0% | 84% | | | 39% | 6.724 | |
72. | | They Shall Not Grow Old | 2018 | | 8,2 | | | | | 41% | 20.058 | |
73. | | Eldorado | 2018 | | 7,0 | | | | | 35% | | |
74. | | Passion for Planet | 2016 | | 6,9 | | | | | 35% | 484 | |
75. | | Titos Brille | 2014 | | 7,2 | 0% | 0% | | | 36% | 349 | |
76. | | Berlin Excelsior | 2017 | | 6,6 | | | | | 33% | 199 | |
77. | | The Visitor | 2014 | | 6,0 | | | | | 30% | 164 | |
78. | | Bitte nach Mitte | 2019 | | | | | | | 50% | | |
79. | | Das Salz der Erde | 2014 | | 8,5 | 0% | 90% | 83,0 | 8,3 | 71% | 0 | |
80. | | Democracy – Im Rausch der Daten | 2015 | | 7,1 | | | | | 36% | 1.393 | |
81. | | Der große Demokrator | 2013 | | 6,6 | | | | | 33% | 205 | |
82. | | Aber das Leben geht weiter | 2011 | | -1,0 | | | | | -5% | | |
83. | | Die Epoche des Menschen | 2018 | | 7,2 | | | | | 36% | | |
84. | | Berlin East Side Gallery | 2015 | | -1,0 | 0% | 100% | | | -5% | 622 | |
85. | | Joschka und Herr Fischer | 2011 | | 6,8 | 0% | 0% | | | 34% | 1.238 | |
86. | | Die Grube | 2019 | | 8,0 | | | | | 40% | 209 | |
87. | | DramaConsult | 2013 | | 0,0 | 0% | 0% | | | 0% | 95 | |
88. | | I Am Ali | 2014 | | 7,2 | 59% | 59% | 55,0 | | 40% | 3.599 | |
89. | | Wiedersehen mit Brundibár | 2014 | | 6,9 | | | | | 35% | 1.463 | |
90. | | Tanja – Life in Movement | 2011 | | 7,4 | 0% | 91% | | | 37% | 487 | |
91. | | Das Venedig Prinzip | 2012 | | 7,1 | 0% | 86% | | | 36% | 852 | |
92. | | #Female Pleasure | 2018 | | 7,6 | | | | | 38% | 2.667 | |
93. | | This Mountain Life – Die Magie der Berge | 2018 | | 7,2 | | | | | 36% | 1.743 | |
94. | | Dior und Ich | 2014 | | 7,3 | 83% | 76% | 70,0 | 7,4 | 51% | 1.667 | |
95. | | Tokyo-Ga | 1985 | | 7,3 | 0% | 78% | | | 37% | | |
96. | | Wechselzeiten – Auf dem Weg zum ersten Triathlon | 2014 | | 7,7 | | | | | 39% | 3.148 | |
97. | | Dem Himmel ganz nah | 2010 | | 7,9 | | | | | 40% | | |
98. | | Der Papst ist kein Jeansboy | 2011 | | 6,8 | | | | | 34% | | |
99. | | Baracoa | 2019 | | 7,5 | | | | | 38% | 478 | |
100. | | Neben den Gleisen | 2016 | | 6,8 | | | | | 34% | | |