1. | | War Photographer | 2001 | | 8,0 | 80% | 92% | | | 40% | | |
2. | | African Mirror | 2019 | | 6,3 | | | | | 32% | 199 | |
3. | | Myanmarket | 2017 | | -1,0 | | | | | -5% | | |
4. | | Beuys | 2017 | | 6,7 | | | | | 34% | 0 | |
5. | | Joschka und Herr Fischer | 2011 | | 6,8 | 0% | 0% | | | 34% | 1.238 | |
6. | | The White Diamond | 2004 | | 7,5 | 94% | 85% | 83,0 | 7,1 | 62% | | |
7. | | Where’s the Beer and When Do We Get Paid? | 2013 | | 7,8 | | | | | 39% | | |
8. | | I Am Not Your Negro | 2016 | | 7,8 | 98% | 83% | | | 39% | 213.802 | |
9. | | Tokyo Idols | 2017 | | 6,8 | | | | | 34% | | |
10. | | Inside Job | 2010 | | 8,2 | 0% | 91% | 88,0 | 8,4 | 72% | 142.371 | 2011 |
11. | | Zero Days | 2016 | | 7,8 | 0% | 74% | 78,0 | 7,3 | 61% | 0 | |
12. | | We Feed the World – Essen global | 2005 | | 7,5 | 0% | 79% | | | 38% | 2.975 | |
13. | | Searching Eva | 2019 | | 6,5 | | | | | 33% | 966 | |
14. | | Berlin East Side Gallery | 2015 | | -1,0 | 0% | 100% | | | -5% | 622 | |
15. | | Die Rote Linie – Widerstand im Hambacher Forst | 2019 | | 7,4 | | | | | 37% | 1.473 | |
16. | | Töte zuerst | 2012 | | 7,6 | 94% | 79% | | | 38% | 2.771 | |
17. | | Rabbi Wolff | 2016 | | 7,8 | | | | | 39% | 1.310 | |
18. | | Wildes Herz | 2017 | | 7,1 | | | | | 36% | 20.536 | |
19. | | They Shall Not Grow Old | 2018 | | 8,2 | | | | | 41% | 20.058 | |
20. | | Peter Pfister – Der Pferdemann | 2019 | | | | | | | 50% | 1 | |
21. | | Whores’ Glory | 2011 | | 7,2 | 0% | 74% | 73,0 | 8,2 | 53% | 3.193 | |
22. | | It Must Schwing – The Blue Note Story | 2018 | | 7,7 | 0% | 0% | | | 39% | | |
23. | | Das System Milch | 2017 | | 7,1 | | | | | 36% | | |
24. | | Die Wohnung | 2011 | | 6,9 | 84% | 71% | 83,0 | 8,2 | 57% | 0 | |
25. | | Happy | 2016 | | 7,4 | | | | | 37% | 498 | |
26. | | Rhythm Is It! | 2004 | | 7,8 | 0% | 84% | | | 39% | | |
27. | | Where to, Miss? – Eine Frau kämpft für Ihren Traum | 2016 | | 7,5 | | | | | 38% | 1.367 | |
28. | | Buck – Der wahre Pferdeflüsterer | 2011 | | 7,6 | 89% | 89% | 76,0 | 6,8 | 58% | 135.311 | |
29. | | Love & Engineering | 2014 | | 6,0 | 0% | 17% | | | 30% | 175 | |
30. | | Night Will Fall | 2014 | | 8,0 | 100% | 92% | | | 40% | | |
31. | | Fair Traders | 2018 | | 6,9 | | | | | 35% | 482 | |
32. | | Day Is Done | 2011 | | 6,9 | 0% | 0% | | | 35% | | |
33. | | Neben den Gleisen | 2016 | | 6,8 | | | | | 34% | | |
34. | | Beyond Punishment | 2015 | | 7,2 | | | | | 36% | | |
35. | | Nach der Stille | 2011 | | 7,7 | 0% | 0% | | | 39% | | |
36. | | Keep Surfing | 2009 | | 7,3 | 0% | 0% | | | 37% | 18.075 | |
37. | | Bitte nach Mitte | 2019 | | | | | | | 50% | | |
38. | | Vergiss mein nicht | 2012 | | 7,5 | 0% | 100% | | | 38% | 3.271 | |
39. | | Bowling for Columbine | 2002 | | 8,0 | 0% | 82% | 72,0 | 6,9 | 58% | 6.135 | 2003 |
40. | | Loving Highsmith | 2022 | | 7,3 | | | | | 37% | | |
41. | | Beerland | 2013 | | 6,5 | 0% | 0% | | | 33% | 620 | |
42. | | PUSH – Für das Grundrecht auf Wohnen | 2019 | | 7,2 | | | | | 36% | 454 | |
43. | | Drachenmädchen | 2012 | | 7,3 | 0% | 78% | | | 37% | 2.027 | |
44. | | Hitlers Hollywood – Das deutsche Kino im Zeitalter der Propaganda 1933–45 | 2017 | | 6,7 | | | | | 34% | | |
45. | | Die Mondverschwörung | 2011 | | 7,6 | | | | | 38% | 1.253 | |
46. | | Die Familie | 2013 | | 6,7 | 0% | 0% | | | 34% | 348 | |
47. | | DramaConsult | 2013 | | 0,0 | 0% | 0% | | | 0% | 95 | |
48. | | The Big Eden | 2011 | | 7,3 | 0% | 0% | | | 37% | 131 | |
49. | | Verbotene Filme | 2014 | | 6,8 | | | | | 34% | | |
50. | | Wild Plants | 2016 | | 6,7 | 0% | 0% | | | 34% | | |
51. | | Titos Brille | 2014 | | 7,2 | 0% | 0% | | | 36% | 349 | |
52. | | Der Perlmuttknopf | 2015 | | 7,6 | 93% | 82% | | | 38% | 0 | |
53. | | Alphabet | 2013 | | 7,4 | 0% | 73% | | | 37% | 17.492 | |
54. | | 1917 – Der wahre Oktober | 2017 | | 7,0 | | | | | 35% | 277 | |
55. | | How to Make a Book With Steidl | 2010 | | 7,2 | 0% | 82% | | | 36% | 1.307 | |
56. | | Aber das Leben geht weiter | 2011 | | -1,0 | | | | | -5% | | |
57. | | Black Box BRD | 2001 | | 7,4 | 0% | 0% | | | 37% | | |
58. | | Citizenfour | 2014 | | 8,1 | 0% | 87% | 88,0 | 7,7 | 71% | 58.852 | 2015 |
59. | | Gangsterläufer | 2011 | | 7,5 | 0% | 0% | | | 38% | 1.059 | |
60. | | Winternomaden | 2012 | | 7,5 | 0% | 100% | 77,0 | | 58% | 825 | |
61. | | Pianomania | 2009 | | 7,5 | 76% | 81% | | | 38% | 0 | |
62. | | Sound It Out | 2011 | | 7,2 | 93% | 76% | | | 36% | 5.045 | |
63. | | Der Kuaför aus der Keupstraße | 2015 | | 6,4 | | | | | 32% | 388 | |
64. | | Fahrenheit 11/9 | 2018 | | 6,9 | 0% | 57% | | | 35% | 14.729 | |
65. | | Das Lied des Lebens | 2013 | | 0,0 | 0% | 0% | | | 0% | 88 | |
66. | | Tod in Texas | 2011 | | 7,3 | 0% | 76% | | | 37% | | |
67. | | München in Indien | 2013 | | 7,0 | 0% | 0% | | | 35% | 0 | |
68. | | Agnès Varda - Publikumsgespräche | 2019 | | 7,7 | | | | | 39% | | |
69. | | Messner | 2012 | | 7,1 | 0% | 0% | | | 36% | 5.008 | |
70. | | Roman Polanski: Mein Leben | 2011 | | 7,2 | 90% | 75% | | | 36% | | |
71. | | Das Ding am Deich – Vom Widerstand gegen ein Atomkraftwerk | 2012 | | | 0% | 0% | | | 50% | 207 | |
72. | | The Act of Killing | 2012 | | 8,2 | 95% | 85% | 89,0 | 8,3 | 73% | 23.109 | |
73. | | Herr von Bohlen | 2015 | | 7,1 | | | | | 36% | | |
74. | | Frank Zappa – Eat That Question | 2016 | | 7,5 | 0% | 73% | 74,0 | 5,5 | 56% | 11.532 | |
75. | | Erde | 2019 | | 7,1 | | | | | 36% | 1.051 | |
76. | | Terra X: Deutschland von oben | | | 7,7 | | | | | 39% | | |
77. | | Am Limit | 2007 | | 7,2 | 80% | 76% | 71,0 | | 51% | 165 | |
78. | | Scala Adieu – Von Windeln verweht | 2018 | | 8,1 | | | | | 41% | 761 | |
79. | | Kedi – Von Katzen und Menschen | 2016 | | 7,7 | 0% | 84% | | | 39% | 6.724 | |
80. | | Adopted | 2011 | | 7,3 | 0% | 0% | | | 37% | 274 | |
81. | | Waiting for the Carnival | 2019 | | 7,7 | | | | | 39% | | |
82. | | Voices of Transition | 2012 | | 8,3 | 0% | 0% | | | 42% | 3.157 | |
83. | | The Other Side Of The River | 2022 | | | | | | | 50% | | |
84. | | Speed – Auf der Suche nach der verlorenen Zeit | 2012 | | 6,8 | 0% | 0% | | | 34% | 2.209 | |
85. | | Die Thomaner | 2012 | | 7,7 | | | | | 39% | 551 | |
86. | | Master of the Universe | 2013 | | 7,2 | 0% | 55% | | | 36% | 1.312 | |
87. | | Workingman’s Death | 2005 | | 7,9 | 0% | 95% | 67,0 | 6,8 | 53% | | |
88. | | The Visitor | 2014 | | 6,0 | | | | | 30% | 164 | |
89. | | Sleepless in New York | 2014 | | 6,3 | 0% | 0% | | | 32% | | |
90. | | We Are All Detroit – Vom Bleiben und Verschwinden | 2021 | | 6,8 | | | | | 34% | | |
91. | | Genesis 2.0 | 2018 | | 7,1 | | | | | 36% | | |
92. | | Was bin ich wert? | 2014 | | 6,8 | 0% | 0% | | | 34% | 0 | |
93. | | Unter Menschen | 2013 | | 7,9 | 0% | 0% | | | 40% | | |
94. | | Wechselzeiten – Auf dem Weg zum ersten Triathlon | 2014 | | 7,7 | | | | | 39% | 3.148 | |
95. | | Das Versprechen | 2016 | | 7,1 | 0% | 86% | | | 36% | 1.199 | |
96. | | Shooting the Mafia | 2019 | | 6,8 | | | | | 34% | 33 | |
97. | | Fassbinder | 2015 | | 6,6 | | | | | 33% | | |
98. | | Verdun – sie werden nicht durchkommen | 2013 | | | | | | | 50% | | |
99. | | Iraqi Odyssey | 2014 | | 7,4 | 0% | 60% | | | 37% | 7.159 | |
100. | | Leaning into the Wind – Andy Goldsworthy | 2017 | | 6,8 | | | | | 34% | 4.730 | |