George Glass

George Glass (August 19, 1910 – April 1, 1984) was an American film producer and publicist, best known for his work with Stanley Kramer. In Kramer's 1997 autobiography, describing how he formed his first production company in the late 1940s, he called Glass "one of the best publicity men in town", and remarked "I was fortunate to get Glass, with whom I had worked in the Lewin-Loew partnership before the war. He was a bright man and a very smooth operator." In a 1973 biography of Marlon Brando, Bob Thomas wrote:

Glass began his career in the entertainment industry as a radio news commentator and sports broadcaster, but left radio for films in 1936 to work in advertising and publicity capacities for Samuel Goldwyn, United Artists, and others. With Kramer's company, in addition to being the head publicist, Glass often acted as associate producer, sometimes uncredited (as for High Noon), and sometimes with screen credit (as for Cyrano de Bergerac and The Men). Other productions from this period include Death of a Salesman and The Wild One, for which Glass suggested the title.

In 1956, Glass and Walter Seltzer started a freelance publicity organization, described in the press as a collaboration of "two of the most experienced and able drum beaters" in Hollywood.[10] After Brando formed his own production company, Pennebaker Productions, Glass and Seltzer joined him[11] as executive producers, and together they turned out a number of films including Shake Hands with the Devil, The Naked Edge, Paris Blues and One-Eyed Jacks.[12]

Glass was elected to the executive board of the Screen Producers Guild in 1960, along with Mervyn LeRoy.[13] He continued to work with Kramer for many years as an associate producer, with additional credits including Guess Who's Coming to Dinner,[14] The Secret of Santa Vittoria,[15] Bless the Beasts and Children[16] and R. P. M.[17]

In January 1952, Glass testified before the House Committee on Un-American Activities. In his testimony, he described attending gatherings at the homes of Ring Lardner, Jr. and other members of the entertainment industry in the mid-1940s, at which he was urged to become a member of the Communist Political Association.[18]

Glass is credited by several sources with originating the witticism, "An actor is a kind of guy who if you ain't talking about him [, he] ain't listening."[19][20][21] That line has also been attributed to Brando, who reportedly heard it from Glass and quoted it many times.[22][23]