Die Tage von 36

Days of '36 (Greek: Μέρες του '36, romanized: Méres tou '36 ) is a 1972 Greek dramatic independent underground art film directed by Theo Angelopoulos. Its title is a tribute to Constantine P. Cavafy.

Filmed during the Regime of the Colonels, the film draws parallels between the regime and the dictatorship of Ioannis Metaxas, but it does so implicitly, in order to escape censorship. Angelopoulos elsewhere speaks of an "aesthetic of the unspoken." He points out that the most important things always happen out of the field of view, behind closed doors or on the phone. When something is said, it is only whispered. According to Angelopoulos, he called the film the "The opposite of Z".[1]

In May 1936, in a Greece riven by political strife, a trade union leader is assassinated. Sofianos, a petty criminal and smuggler as well as a police informant and leftist agitator, is accused of the murder. Kept incommunicado in a room separate from the other detainees, his only two visitors are a member of parliament from the Conservative Party and his driver, who is also his brother. One day, Sofianos takes the member of parliament as a hostage inside his cell to obtain his release before midnight; it is not clear how he has obtained the revolver which he was using. The prison guards are powerless, while the warden is under pressure from his political bosses to find a quick resolution to the standoff.

Sofianos's lawyer tries to reason with him, explaining to his client that the weapon in his possession is a trap that has been set up for him, and that by taking the deputy as a hostage he is playing the game of those who accuse him. The lawyer conducts an investigation to exonerate Sofianos but ends up being beaten up in a deserted street.

In the meantime, an escape attempt takes place in the prison, but three escapees are caught up in the countryside.

Under pressure from representatives of the major powers, the political and prison authorities are trying to put an end to the hostage-taking by various means, including the poisoning of the prisoner. Eventually, at nightfall, a sniper shoots Sofianos in his cell.

The next morning, the three escapees are shot and the body of Sofianos is added to the funeral truck.

It was awarded Best Director and Best Picture at the Thessaloniki Festival of Greek Cinema in 1972. At the Berlin International Film Festival in 1973, it received a prize from the International Federation of Film Critics.