1. | | Chão | 2019 |  | 6,7 | | | | | 34% | 170 | |
2. | | Rhythm Is It! | 2004 |  | 7,8 | 0% | 84% | | | 39% | | |
3. | | Die Wiese - Ein Paradies nebenan | 2019 |  | 7,8 | | | | | 39% | | |
4. | | The Unknown Known | 2013 |  | 7,1 | 0% | 70% | 69,0 | 6,7 | 49% | 809 | |
5. | | Das Ding am Deich – Vom Widerstand gegen ein Atomkraftwerk | 2012 |  | | 0% | 0% | | | 50% | 207 | |
6. | | Passion for Planet | 2016 |  | 6,9 | | | | | 35% | 484 | |
7. | | Sound of Heimat – Deutschland singt | 2012 |  | 7,3 | 0% | 0% | | | 37% | 1.204 | |
8. | | Where’s the Beer and When Do We Get Paid? | 2013 |  | 7,8 | | | | | 39% | | |
9. | | Kings of Kallstadt | 2014 |  | 6,2 | | | | | 31% | 1.570 | |
10. | | We Are All Detroit – Vom Bleiben und Verschwinden | 2021 |  | 6,8 | | | | | 34% | | |
11. | | Balkan Melodie | 2012 |  | 8,1 | 0% | 0% | | | 41% | 0 | |
12. | | Anton Corbijn Inside Out | 2012 |  | 7,1 | 0% | 72% | | | 36% | 1.771 | |
13. | | #Female Pleasure | 2018 |  | 7,6 | | | | | 38% | 2.667 | |
14. | | Love & Engineering | 2014 |  | 6,0 | 0% | 17% | | | 30% | 175 | |
15. | | Was bin ich wert? | 2014 |  | 6,8 | 0% | 0% | | | 34% | 0 | |
16. | | Nostalgia de la luz – Heimweh nach den Sternen | 2010 |  | 7,6 | 0% | 84% | | | 38% | 2.569 | |
17. | | Sound It Out | 2011 |  | 7,2 | 93% | 76% | | | 36% | 5.045 | |
18. | | African Mirror | 2019 |  | 6,3 | | | | | 32% | 199 | |
19. | | Erde | 2019 |  | 7,1 | | | | | 36% | 1.051 | |
20. | | Hitlers Hollywood – Das deutsche Kino im Zeitalter der Propaganda 1933–45 | 2017 |  | 6,7 | | | | | 34% | | |
21. | | Hüte dich vor Ginger Baker | 2012 |  | 7,6 | 98% | 86% | | | 38% | 12.370 | |
22. | | Die Frau mit den 5 Elefanten | 2009 |  | 7,7 | 0% | 93% | | | 39% | 554 | |
23. | | Am Limit | 2007 |  | 7,2 | 80% | 76% | 71,0 | | 51% | 165 | |
24. | | Wildes Herz | 2017 |  | 7,1 | | | | | 36% | 20.536 | |
25. | | Genesis 2.0 | 2018 |  | 7,1 | | | | | 36% | | |
26. | | Terra X: Deutschland von oben | |  | 7,7 | | | | | 39% | | |
27. | | Tokyo Idols | 2017 |  | 6,8 | | | | | 34% | | |
28. | | Tokyo-Ga | 1985 |  | 7,3 | 0% | 78% | | | 37% | | |
29. | | Titos Brille | 2014 |  | 7,2 | 0% | 0% | | | 36% | 349 | |
30. | | Where to, Miss? – Eine Frau kämpft für Ihren Traum | 2016 |  | 7,5 | | | | | 38% | 1.367 | |
31. | | Die Geschichte vom weinenden Kamel | 2003 |  | 7,4 | 94% | 87% | 81,0 | 8,6 | 60% | 160 | |
32. | | Citizenfour | 2014 |  | 8,1 | 0% | 87% | 88,0 | 7,7 | 71% | 58.852 | 2015 |
33. | | Berlin East Side Gallery | 2015 |  | -1,0 | 0% | 100% | | | -5% | 622 | |
34. | | Roman Polanski: Mein Leben | 2011 |  | 7,2 | 90% | 75% | | | 36% | | |
35. | | Peter Pfister – Der Pferdemann | 2019 |  | | | | | | 50% | 1 | |
36. | | Gerhard Richter – Painting | 2011 |  | 7,2 | 89% | 73% | | | 36% | 6.785 | |
37. | | Fair Traders | 2018 |  | 6,9 | | | | | 35% | 482 | |
38. | | Der Waldmacher | 2022 |  | 7,2 | | | | | 36% | | |
39. | | Fighter | 2016 |  | 8,1 | | | | | 41% | 872 | |
40. | | 14 – Tagebücher des Ersten Weltkriegs | 2013 |  | 8,6 | | | | | 43% | 494 | |
41. | | Untitled | 2017 |  | 7,4 | | | | | 37% | 1.857 | |
42. | | Der NSU-Komplex | 2016 |  | 6,5 | | | | | 33% | | |
43. | | Wer hat Angst vor Sibylle Berg | 2015 |  | 6,2 | | | | | 31% | | |
44. | | Gestrandet | 2016 |  | 6,5 | | | | | 33% | 167 | |
45. | | Joschka und Herr Fischer | 2011 |  | 6,8 | 0% | 0% | | | 34% | 1.238 | |
46. | | As Time Goes By In Shanghai | 2013 |  | 6,6 | 0% | 0% | | | 33% | 393 | |
47. | | Night Will Fall | 2014 |  | 8,0 | 100% | 92% | | | 40% | | |
48. | | Alphabet | 2013 |  | 7,4 | 0% | 73% | | | 37% | 17.492 | |
49. | | O.J. Simpson: Made in America | 2016 |  | 8,9 | 0% | 0% | | | 45% | 4.728 | 2017 |
50. | | Leaning into the Wind – Andy Goldsworthy | 2017 |  | 6,8 | | | | | 34% | 4.730 | |
51. | | Iraqi Odyssey | 2014 |  | 7,4 | 0% | 60% | | | 37% | 7.159 | |
52. | | Kinshasa Symphony | 2010 |  | 7,6 | 0% | 83% | | | 38% | 3.809 | |
53. | | Die Kinder vom Napf | 2011 |  | 6,5 | 0% | 0% | | | 33% | | |
54. | | Myanmarket | 2017 |  | -1,0 | | | | | -5% | | |
55. | | Slow – Langsam ist das neue Schnell | 2013 |  | 0,0 | 0% | 0% | | | 0% | 1.271 | |
56. | | 20 Feet from Stardom | 2013 |  | 7,4 | 99% | 82% | 83,0 | 20,0 | 61% | 16.351 | 2014 |
57. | | Das Versprechen | 2016 |  | 7,1 | 0% | 86% | | | 36% | 1.199 | |
58. | | 1917 – Der wahre Oktober | 2017 |  | 7,0 | | | | | 35% | 277 | |
59. | | How to Make a Book With Steidl | 2010 |  | 7,2 | 0% | 82% | | | 36% | 1.307 | |
60. | | Hello I Am David! – Eine Reise mit David Helfgott | 2015 |  | 7,3 | 0% | 100% | | | 37% | 1.053 | |
61. | | Dem Himmel ganz nah | 2010 |  | 7,9 | | | | | 40% | | |
62. | | Buena Vista Social Club | 1999 |  | 7,6 | 0% | 90% | 81,0 | 7,8 | 62% | | |
63. | | Neben den Gleisen | 2016 |  | 6,8 | | | | | 34% | | |
64. | | PUSH – Für das Grundrecht auf Wohnen | 2019 |  | 7,2 | | | | | 36% | 454 | |
65. | | Shooting the Mafia | 2019 |  | 6,8 | | | | | 34% | 33 | |
66. | | Searching Eva | 2019 |  | 6,5 | | | | | 33% | 966 | |
67. | | Vom Bauen der Zukunft – 100 Jahre Bauhaus | 2018 |  | 6,7 | | | | | 34% | 2.386 | |
68. | | Allein die Wüste | 2012 |  | | | | | | 50% | | |
69. | | Der Perlmuttknopf | 2015 |  | 7,6 | 93% | 82% | | | 38% | 0 | |
70. | | Brecht | 2019 |  | 6,2 | | | | | 31% | | |
71. | | Weil du nur einmal lebst - Die Toten Hosen auf Tour | 2019 |  | 7,4 | | | | | 37% | | |
72. | | Sympathisanten – Unser Deutscher Herbst | 2018 |  | 6,2 | | | | | 31% | 419 | |
73. | | Cicero – Zwei Leben, eine Bühne | 2022 |  | 8,0 | | | | | 40% | | |
74. | | Sofia’s letzte Ambulanz | 2012 |  | 7,4 | 0% | 71% | | | 37% | 1.235 | |
75. | | Entre les Bras – 3 Sterne. 2 Generationen. 1 Küche. | 2012 |  | 6,2 | 67% | 45% | | | 31% | 541 | |
76. | | Samsara | 2011 |  | 8,5 | 0% | 87% | 65,0 | 8,2 | 55% | 89.489 | |
77. | | El Bulli – Cooking in Progress | 2010 |  | 6,4 | | | | | 32% | 8.157 | |
78. | | Master of the Universe | 2013 |  | 7,2 | 0% | 55% | | | 36% | 1.312 | |
79. | | Land in Sicht | 2013 |  | 5,9 | 0% | 0% | | | 30% | 633 | |
80. | | Das Herz von Jenin | 2008 |  | 7,8 | | | | | 39% | 539 | |
81. | | War Photographer | 2001 |  | 8,0 | 80% | 92% | | | 40% | | |
82. | | Das Venedig Prinzip | 2012 |  | 7,1 | 0% | 86% | | | 36% | 852 | |
83. | | Dancing Beyond ... | 2015 |  | | | | | | 50% | | |
84. | | Sunset over Hollywood | 2019 |  | 7,7 | | | | | 39% | | |
85. | | It Must Schwing – The Blue Note Story | 2018 |  | 7,7 | 0% | 0% | | | 39% | | |
86. | | What She Said: The Art of Pauline Kael | 2018 |  | 7,0 | | | | | 35% | 327 | |
87. | | Amma & Appa – Eine bayerisch-indische Liebe | 2014 |  | 7,4 | 0% | 0% | | | 37% | 0 | |
88. | | Adopted | 2011 |  | 7,3 | 0% | 0% | | | 37% | 274 | |
89. | | Black Box BRD | 2001 |  | 7,4 | 0% | 0% | | | 37% | | |
90. | | Unter Menschen | 2013 |  | 7,9 | 0% | 0% | | | 40% | | |
91. | | Das System Milch | 2017 |  | 7,1 | | | | | 36% | | |
92. | | Was kostet die Welt | 2018 |  | | | | | | 50% | | |
93. | | Espero tua (Re)volta | 2019 |  | 7,5 | | | | | 38% | | |
94. | | The Other Side Of The River | 2022 |  | | | | | | 50% | | |
95. | | Die Kunst der Stille | 2022 |  | | | | | | 50% | | |
96. | | Nach der Stille | 2011 |  | 7,7 | 0% | 0% | | | 39% | | |
97. | | Voices of Transition | 2012 |  | 8,3 | 0% | 0% | | | 42% | 3.157 | |
98. | | München in Indien | 2013 |  | 7,0 | 0% | 0% | | | 35% | 0 | |
99. | | Workingman’s Death | 2005 |  | 7,9 | 0% | 95% | 67,0 | 6,8 | 53% | | |
100. | | I Want to Run – Das härteste Rennen der Welt | 2011 |  | 6,9 | | | | | 35% | 2.271 | |