1. | | The White Diamond | 2004 | | 7,5 | 94% | 85% | 83,0 | 7,1 | 62% | | |
2. | | Une rose ouverte / Warda | 2019 | | | | | | | 50% | | |
3. | | Die Geheimnisse des Schönen Leo | 2018 | | 6,9 | | | | | 35% | 137 | |
4. | | This Mountain Life – Die Magie der Berge | 2018 | | 7,2 | | | | | 36% | 1.743 | |
5. | | Sound It Out | 2011 | | 7,2 | 93% | 76% | | | 36% | 5.045 | |
6. | | Vom Bauen der Zukunft – 100 Jahre Bauhaus | 2018 | | 6,7 | | | | | 34% | 2.386 | |
7. | | By the Name of Tania | 2019 | | 6,4 | | | | | 32% | | |
8. | | Love & Engineering | 2014 | | 6,0 | 0% | 17% | | | 30% | 175 | |
9. | | Die Nordsee von oben | 2011 | | 7,2 | 0% | 0% | | | 36% | 10.004 | |
10. | | I Am Not Your Negro | 2016 | | 7,8 | 98% | 83% | | | 39% | 213.802 | |
11. | | Joschka und Herr Fischer | 2011 | | 6,8 | 0% | 0% | | | 34% | 1.238 | |
12. | | Die Frau mit den 5 Elefanten | 2009 | | 7,7 | 0% | 93% | | | 39% | 554 | |
13. | | Neukölln Unlimited | 2010 | | 7,2 | 0% | 0% | | | 36% | 1.877 | |
14. | | Das Venedig Prinzip | 2012 | | 7,1 | 0% | 86% | | | 36% | 852 | |
15. | | Wild Plants | 2016 | | 6,7 | 0% | 0% | | | 34% | | |
16. | | We Feed the World – Essen global | 2005 | | 7,5 | 0% | 79% | | | 38% | 2.975 | |
17. | | Maria by Callas | 2017 | | 7,2 | 89% | 77% | | | 36% | 5.404 | |
18. | | Keep Surfing | 2009 | | 7,3 | 0% | 0% | | | 37% | 18.075 | |
19. | | Tod in Texas | 2011 | | 7,3 | 0% | 76% | | | 37% | | |
20. | | Herr von Bohlen | 2015 | | 7,1 | | | | | 36% | | |
21. | | The Visitor | 2014 | | 6,0 | | | | | 30% | 164 | |
22. | | Until the Light Takes Us | 2008 | | 7,1 | 48% | 57% | | | 36% | 0 | |
23. | | Cicero – Zwei Leben, eine Bühne | 2022 | | 8,0 | | | | | 40% | | |
24. | | As Time Goes By In Shanghai | 2013 | | 6,6 | 0% | 0% | | | 33% | 393 | |
25. | | Kedi – Von Katzen und Menschen | 2016 | | 7,7 | 0% | 84% | | | 39% | 6.724 | |
26. | | Sauacker | 2013 | | 0,0 | | | | | 0% | 460 | |
27. | | Herr Wichmann aus der dritten Reihe | 2012 | | 7,2 | 0% | 0% | | | 36% | 207 | |
28. | | Die Kinder vom Napf | 2011 | | 6,5 | 0% | 0% | | | 33% | | |
29. | | Die Mondverschwörung | 2011 | | 7,6 | | | | | 38% | 1.253 | |
30. | | Die Rote Linie – Widerstand im Hambacher Forst | 2019 | | 7,4 | | | | | 37% | 1.473 | |
31. | | Papst Franziskus – Mann seines Wortes | 2018 | | 6,4 | 0% | 77% | | | 32% | 0 | |
32. | | BRASCH – Das Wünschen und das Fürchten | 2011 | | 6,5 | 0% | 0% | | | 33% | | |
33. | | Sofia’s letzte Ambulanz | 2012 | | 7,4 | 0% | 71% | | | 37% | 1.235 | |
34. | | Im Ring | 2019 | | 8,3 | | | | | 42% | | |
35. | | Wiedersehen mit Brundibár | 2014 | | 6,9 | | | | | 35% | 1.463 | |
36. | | Aber das Leben geht weiter | 2011 | | -1,0 | | | | | -5% | | |
37. | | Mein Herz sieht die Welt schwarz | 2009 | | 7,9 | 0% | 0% | | | 40% | | |
38. | | Neben den Gleisen | 2016 | | 6,8 | | | | | 34% | | |
39. | | This Ain’t California | 2012 | | 7,3 | 81% | 83% | | | 37% | 8.636 | |
40. | | Das Schiff des Torjägers | 2010 | | 6,6 | 0% | 0% | | | 33% | 35 | |
41. | | Berlin Excelsior | 2017 | | 6,6 | | | | | 33% | 199 | |
42. | | Nanga Parbat | 1953 | | 7,3 | | | | | 37% | | |
43. | | Myanmarket | 2017 | | -1,0 | | | | | -5% | | |
44. | | Ein Hells Angel unter Brüdern | 2014 | | 6,0 | | | | | 30% | 14.502 | |
45. | | Der Kuaför aus der Keupstraße | 2015 | | 6,4 | | | | | 32% | 388 | |
46. | | More than Honey | 2012 | | 7,6 | 0% | 79% | 70,0 | 7,4 | 53% | 8.893 | |
47. | | Dürrenmatt – Eine Liebesgeschichte | 2015 | | 6,7 | | | | | 34% | 2.365 | |
48. | | The Look – Charlotte Rampling | 2011 | | 6,7 | 84% | 50% | 58,0 | | 39% | | |
49. | | 10 Milliarden – Wie werden wir alle satt? | 2015 | | 7,3 | 0% | 0% | | | 37% | 3.984 | |
50. | | Kinshasa Symphony | 2010 | | 7,6 | 0% | 83% | | | 38% | 3.809 | |
51. | | Pina | 2011 | | 7,7 | 0% | 81% | 83,0 | 7,2 | 64% | 0 | |
52. | | Klitschko | 2011 | | 7,7 | 0% | 84% | | | 39% | 6.997 | |
53. | | Voices of Transition | 2012 | | 8,3 | 0% | 0% | | | 42% | 3.157 | |
54. | | Die Familie | 2013 | | 6,7 | 0% | 0% | | | 34% | 348 | |
55. | | Kings of Kallstadt | 2014 | | 6,2 | | | | | 31% | 1.570 | |
56. | | Weil du nur einmal lebst - Die Toten Hosen auf Tour | 2019 | | 7,4 | | | | | 37% | | |
57. | | Woody Allen: A Documentary | 2011 | | 7,7 | | | | | 39% | 4.647 | |
58. | | I Am Ali | 2014 | | 7,2 | 59% | 59% | 55,0 | | 40% | 3.599 | |
59. | | Die Epoche des Menschen | 2018 | | 7,2 | | | | | 36% | | |
60. | | Jean Tinguely | 2011 | | -1,0 | 0% | 0% | | | -5% | | |
61. | | The Act of Killing | 2012 | | 8,2 | 95% | 85% | 89,0 | 8,3 | 73% | 23.109 | |
62. | | Whores’ Glory | 2011 | | 7,2 | 0% | 74% | 73,0 | 8,2 | 53% | 3.193 | |
63. | | Flee | 2021 | | 8,0 | | | | | 40% | | |
64. | | Sunset over Hollywood | 2019 | | 7,7 | | | | | 39% | | |
65. | | Fassbinder | 2015 | | 6,6 | | | | | 33% | | |
66. | | Beuys | 2017 | | 6,7 | | | | | 34% | 0 | |
67. | | Die Grube | 2019 | | 8,0 | | | | | 40% | 209 | |
68. | | Verdun – sie werden nicht durchkommen | 2013 | | | | | | | 50% | | |
69. | | Night Will Fall | 2014 | | 8,0 | 100% | 92% | | | 40% | | |
70. | | Beerland | 2013 | | 6,5 | 0% | 0% | | | 33% | 620 | |
71. | | Wer hat Angst vor Sibylle Berg | 2015 | | 6,2 | | | | | 31% | | |
72. | | Fair Traders | 2018 | | 6,9 | | | | | 35% | 482 | |
73. | | Volksvertreter | 2022 | | | | | | | 50% | | |
74. | | Power to Change – Die Energie-Rebellion | 2016 | | 6,8 | 0% | 0% | | | 34% | 3.593 | |
75. | | In Sarmatien | 2013 | | 8,0 | 0% | 0% | | | 40% | | |
76. | | Der Perlmuttknopf | 2015 | | 7,6 | 93% | 82% | | | 38% | 0 | |
77. | | Drachenmädchen | 2012 | | 7,3 | 0% | 78% | | | 37% | 2.027 | |
78. | | Buena Vista Social Club | 1999 | | 7,6 | 0% | 90% | 81,0 | 7,8 | 62% | | |
79. | | Terra X: Deutschland von oben | | | 7,7 | | | | | 39% | | |
80. | | Talking About Trees | 2019 | | 8,0 | | | | | 40% | | |
81. | | Verbotene Filme | 2014 | | 6,8 | | | | | 34% | | |
82. | | Nach der Stille | 2011 | | 7,7 | 0% | 0% | | | 39% | | |
83. | | How to Make a Book With Steidl | 2010 | | 7,2 | 0% | 82% | | | 36% | 1.307 | |
84. | | DramaConsult | 2013 | | 0,0 | 0% | 0% | | | 0% | 95 | |
85. | | Gerhard Richter – Painting | 2011 | | 7,2 | 89% | 73% | | | 36% | 6.785 | |
86. | | Searching Eva | 2019 | | 6,5 | | | | | 33% | 966 | |
87. | | Bitte nach Mitte | 2019 | | | | | | | 50% | | |
88. | | 1917 – Der wahre Oktober | 2017 | | 7,0 | | | | | 35% | 277 | |
89. | | Marley | 2012 | | 8,0 | 0% | 90% | 82,0 | 8,3 | 66% | 4.779.305 | |
90. | | The Big Eden | 2011 | | 7,3 | 0% | 0% | | | 37% | 131 | |
91. | | Espero tua (Re)volta | 2019 | | 7,5 | | | | | 38% | | |
92. | | Gestrandet | 2016 | | 6,5 | | | | | 33% | 167 | |
93. | | I Want to Run – Das härteste Rennen der Welt | 2011 | | 6,9 | | | | | 35% | 2.271 | |
94. | | What She Said: The Art of Pauline Kael | 2018 | | 7,0 | | | | | 35% | 327 | |
95. | | Where to Invade Next | 2015 | | 7,5 | 78% | 77% | 63,0 | 6,7 | 47% | 85.788 | |
96. | | Krieg und Spiele | 2016 | | 6,8 | | | | | 34% | | |
97. | | Was bin ich wert? | 2014 | | 6,8 | 0% | 0% | | | 34% | 0 | |
98. | | Bulb Fiction | 2011 | | 7,4 | 0% | 0% | | | 37% | | |
99. | | Hitlers Hollywood – Das deutsche Kino im Zeitalter der Propaganda 1933–45 | 2017 | | 6,7 | | | | | 34% | | |
100. | | We Are All Detroit – Vom Bleiben und Verschwinden | 2021 | | 6,8 | | | | | 34% | | |