1. | | Sunset over Hollywood | 2019 |  | 7,7 | | | | | 39% | | |
2. | | Auf der Jagd – Wem gehört die Natur? | 2018 |  | 6,8 | | | | | 34% | 2.773 | |
3. | | München in Indien | 2013 |  | 7,0 | 0% | 0% | | | 35% | 0 | |
4. | | Une rose ouverte / Warda | 2019 |  | | | | | | 50% | | |
5. | | Dem Himmel ganz nah | 2010 |  | 7,9 | | | | | 40% | | |
6. | | Die Prüfung | 2016 |  | 7,2 | | | | | 36% | 858 | |
7. | | Das Ding am Deich – Vom Widerstand gegen ein Atomkraftwerk | 2012 |  | | 0% | 0% | | | 50% | 207 | |
8. | | Happy | 2016 |  | 7,4 | | | | | 37% | 498 | |
9. | | PUSH – Für das Grundrecht auf Wohnen | 2019 |  | 7,2 | | | | | 36% | 454 | |
10. | | Berlin Excelsior | 2017 |  | 6,6 | | | | | 33% | 199 | |
11. | | Die Epoche des Menschen | 2018 |  | 7,2 | | | | | 36% | | |
12. | | Tanja – Life in Movement | 2011 |  | 7,4 | 0% | 91% | | | 37% | 487 | |
13. | | Die Geheimnisse des Schönen Leo | 2018 |  | 6,9 | | | | | 35% | 137 | |
14. | | Das Lied des Lebens | 2013 |  | 0,0 | 0% | 0% | | | 0% | 88 | |
15. | | Entre les Bras – 3 Sterne. 2 Generationen. 1 Küche. | 2012 |  | 6,2 | 67% | 45% | | | 31% | 541 | |
16. | | Töte zuerst | 2012 |  | 7,6 | 94% | 79% | | | 38% | 2.771 | |
17. | | Whores’ Glory | 2011 |  | 7,2 | 0% | 74% | 73,0 | 8,2 | 53% | 3.193 | |
18. | | Master of the Universe | 2013 |  | 7,2 | 0% | 55% | | | 36% | 1.312 | |
19. | | Tokyo Idols | 2017 |  | 6,8 | | | | | 34% | | |
20. | | Myanmarket | 2017 |  | -1,0 | | | | | -5% | | |
21. | | War Photographer | 2001 |  | 8,0 | 80% | 92% | | | 40% | | |
22. | | Speed – Auf der Suche nach der verlorenen Zeit | 2012 |  | 6,8 | 0% | 0% | | | 34% | 2.209 | |
23. | | Untitled | 2017 |  | 7,4 | | | | | 37% | 1.857 | |
24. | | This Ain’t California | 2012 |  | 7,3 | 81% | 83% | | | 37% | 8.636 | |
25. | | Brecht | 2019 |  | 6,2 | | | | | 31% | | |
26. | | Espero tua (Re)volta | 2019 |  | 7,5 | | | | | 38% | | |
27. | | Leaning into the Wind – Andy Goldsworthy | 2017 |  | 6,8 | | | | | 34% | 4.730 | |
28. | | As Time Goes By In Shanghai | 2013 |  | 6,6 | 0% | 0% | | | 33% | 393 | |
29. | | Der Fall Chodorkowski | 2011 |  | 7,0 | | | | | 35% | 132 | |
30. | | Black Box BRD | 2001 |  | 7,4 | 0% | 0% | | | 37% | | |
31. | | Sofia’s letzte Ambulanz | 2012 |  | 7,4 | 0% | 71% | | | 37% | 1.235 | |
32. | | Die Kunst der Stille | 2022 |  | | | | | | 50% | | |
33. | | Klitschko | 2011 |  | 7,7 | 0% | 84% | | | 39% | 6.997 | |
34. | | Gestrandet | 2016 |  | 6,5 | | | | | 33% | 167 | |
35. | | Fair Traders | 2018 |  | 6,9 | | | | | 35% | 482 | |
36. | | Die Kinder vom Napf | 2011 |  | 6,5 | 0% | 0% | | | 33% | | |
37. | | Iraqi Odyssey | 2014 |  | 7,4 | 0% | 60% | | | 37% | 7.159 | |
38. | | Maria by Callas | 2017 |  | 7,2 | 89% | 77% | | | 36% | 5.404 | |
39. | | Fassbinder | 2015 |  | 6,6 | | | | | 33% | | |
40. | | Es hätte schlimmer kommen können – Mario Adorf | 2019 |  | 7,1 | | | | | 36% | | |
41. | | Berlin – Die Sinfonie der Großstadt | 1927 |  | 7,6 | 0% | 0% | | | 38% | | |
42. | | Terra X: Deutschland von oben | |  | 7,7 | | | | | 39% | | |
43. | | FACE It! | 2019 |  | | | | | | 50% | | |
44. | | Cicero – Zwei Leben, eine Bühne | 2022 |  | 8,0 | | | | | 40% | | |
45. | | The Cleaners | 2018 |  | 7,2 | 0% | 75% | | | 36% | | |
46. | | Die Gabe zu heilen | 2017 |  | | | | | | 50% | | |
47. | | Night Will Fall | 2014 |  | 8,0 | 100% | 92% | | | 40% | | |
48. | | Der NSU-Komplex | 2016 |  | 6,5 | | | | | 33% | | |
49. | | Allein die Wüste | 2012 |  | | | | | | 50% | | |
50. | | Steve Jobs: The Lost Interview | 2012 |  | 8,0 | 100% | 84% | | | 40% | 188.253 | |
51. | | Mollath – „und plötzlich bist du verrückt“ | 2015 |  | 7,1 | 0% | 0% | | | 36% | 639 | |
52. | | Balkan Melodie | 2012 |  | 8,1 | 0% | 0% | | | 41% | 0 | |
53. | | Unter Menschen | 2013 |  | 7,9 | 0% | 0% | | | 40% | | |
54. | | How to Make a Book With Steidl | 2010 |  | 7,2 | 0% | 82% | | | 36% | 1.307 | |
55. | | BRASCH – Das Wünschen und das Fürchten | 2011 |  | 6,5 | 0% | 0% | | | 33% | | |
56. | | Aber das Leben geht weiter | 2011 |  | -1,0 | | | | | -5% | | |
57. | | Alphabet | 2013 |  | 7,4 | 0% | 73% | | | 37% | 17.492 | |
58. | | Ein Hells Angel unter Brüdern | 2014 |  | 6,0 | | | | | 30% | 14.502 | |
59. | | #Female Pleasure | 2018 |  | 7,6 | | | | | 38% | 2.667 | |
60. | | 20 Feet from Stardom | 2013 |  | 7,4 | 99% | 82% | 83,0 | 20,0 | 61% | 16.351 | 2014 |
61. | | Frank Zappa – Eat That Question | 2016 |  | 7,5 | 0% | 73% | 74,0 | 5,5 | 56% | 11.532 | |
62. | | Sound It Out | 2011 |  | 7,2 | 93% | 76% | | | 36% | 5.045 | |
63. | | Die Thomaner | 2012 |  | 7,7 | | | | | 39% | 551 | |
64. | | Der große Demokrator | 2013 |  | 6,6 | | | | | 33% | 205 | |
65. | | Road to Heaven | 2014 |  | -1,0 | | | | | -5% | | |
66. | | Until the Light Takes Us | 2008 |  | 7,1 | 48% | 57% | | | 36% | 0 | |
67. | | Loving Highsmith | 2022 |  | 7,3 | | | | | 37% | | |
68. | | Passion for Planet | 2016 |  | 6,9 | | | | | 35% | 484 | |
69. | | Das Herz von Jenin | 2008 |  | 7,8 | | | | | 39% | 539 | |
70. | | More than Honey | 2012 |  | 7,6 | 0% | 79% | 70,0 | 7,4 | 53% | 8.893 | |
71. | | The Substance – Albert Hofmanns LSD | 2011 |  | 7,1 | 0% | 67% | | | 36% | 23 | |
72. | | Gangsterläufer | 2011 |  | 7,5 | 0% | 0% | | | 38% | 1.059 | |
73. | | Adopted | 2011 |  | 7,3 | 0% | 0% | | | 37% | 274 | |
74. | | The Unknown Known | 2013 |  | 7,1 | 0% | 70% | 69,0 | 6,7 | 49% | 809 | |
75. | | Was bin ich wert? | 2014 |  | 6,8 | 0% | 0% | | | 34% | 0 | |
76. | | Wild Plants | 2016 |  | 6,7 | 0% | 0% | | | 34% | | |
77. | | Kinshasa Symphony | 2010 |  | 7,6 | 0% | 83% | | | 38% | 3.809 | |
78. | | Talking About Trees | 2019 |  | 8,0 | | | | | 40% | | |
79. | | Flee | 2021 |  | 8,0 | | | | | 40% | | |
80. | | Searching for Sugar Man | 2012 |  | 8,2 | 0% | 92% | 79,0 | 8,3 | 65% | 35.237 | 2013 |
81. | | Mein Herz sieht die Welt schwarz | 2009 |  | 7,9 | 0% | 0% | | | 40% | | |
82. | | Von Caligari zu Hitler | 2014 |  | 7,3 | 0% | 78% | | | 37% | 1 | |
83. | | Bitte nach Mitte | 2019 |  | | | | | | 50% | | |
84. | | The Other Side Of The River | 2022 |  | | | | | | 50% | | |
85. | | Nach der Stille | 2011 |  | 7,7 | 0% | 0% | | | 39% | | |
86. | | Day Is Done | 2011 |  | 6,9 | 0% | 0% | | | 35% | | |
87. | | Ingmar Bergman - Herr der Dämonen | 2017 |  | | | | | | 50% | | |
88. | | 14 – Tagebücher des Ersten Weltkriegs | 2013 |  | 8,6 | | | | | 43% | 494 | |
89. | | I Am Not Your Negro | 2016 |  | 7,8 | 98% | 83% | | | 39% | 213.802 | |
90. | | Peter Pfister – Der Pferdemann | 2019 |  | | | | | | 50% | 1 | |
91. | | Anton Corbijn Inside Out | 2012 |  | 7,1 | 0% | 72% | | | 36% | 1.771 | |
92. | | Sound of Heimat – Deutschland singt | 2012 |  | 7,3 | 0% | 0% | | | 37% | 1.204 | |
93. | | What She Said: The Art of Pauline Kael | 2018 |  | 7,0 | | | | | 35% | 327 | |
94. | | Das System Milch | 2017 |  | 7,1 | | | | | 36% | | |
95. | | Das Forum | 2019 |  | | | | | | 50% | | |
96. | | I Am Ali | 2014 |  | 7,2 | 59% | 59% | 55,0 | | 40% | 3.599 | |
97. | | Wildes Herz | 2017 |  | 7,1 | | | | | 36% | 20.536 | |
98. | | Slow – Langsam ist das neue Schnell | 2013 |  | 0,0 | 0% | 0% | | | 0% | 1.271 | |
99. | | Tod in Texas | 2011 |  | 7,3 | 0% | 76% | | | 37% | | |
100. | | The Act of Killing | 2012 |  | 8,2 | 95% | 85% | 89,0 | 8,3 | 73% | 23.109 | |