1. | | Das andere Rom | 2013 |  | 6,2 | 79% | 50% | 64,0 | | 40% | 6.031 | |
2. | | An Impossible Project | 2020 |  | 7,1 | | | | | 36% | | |
3. | | Tanja – Life in Movement | 2011 |  | 7,4 | 0% | 91% | | | 37% | 487 | |
4. | | Papst Franziskus – Mann seines Wortes | 2018 |  | 6,4 | 0% | 77% | | | 32% | 0 | |
5. | | Die Mondverschwörung | 2011 |  | 7,6 | | | | | 38% | 1.253 | |
6. | | Verbotene Filme | 2014 |  | 6,8 | | | | | 34% | | |
7. | | Winternomaden | 2012 |  | 7,5 | 0% | 100% | 77,0 | | 58% | 825 | |
8. | | Chão | 2019 |  | 6,7 | | | | | 34% | 170 | |
9. | | Der große Demokrator | 2013 |  | 6,6 | | | | | 33% | 205 | |
10. | | Espero tua (Re)volta | 2019 |  | 7,5 | | | | | 38% | | |
11. | | Mollath – „und plötzlich bist du verrückt“ | 2015 |  | 7,1 | 0% | 0% | | | 36% | 639 | |
12. | | Dancing Beyond ... | 2015 |  | | | | | | 50% | | |
13. | | Berlin East Side Gallery | 2015 |  | -1,0 | 0% | 100% | | | -5% | 622 | |
14. | | Weil du nur einmal lebst - Die Toten Hosen auf Tour | 2019 |  | 7,4 | | | | | 37% | | |
15. | | Das Venedig Prinzip | 2012 |  | 7,1 | 0% | 86% | | | 36% | 852 | |
16. | | Fighter | 2016 |  | 8,1 | | | | | 41% | 872 | |
17. | | Dior und Ich | 2014 |  | 7,3 | 83% | 76% | 70,0 | 7,4 | 51% | 1.667 | |
18. | | Samsara | 2011 |  | 8,5 | 0% | 87% | 65,0 | 8,2 | 55% | 89.489 | |
19. | | Der Waldmacher | 2022 |  | 7,2 | | | | | 36% | | |
20. | | You drive me crazy | 2012 |  | 6,9 | 0% | 60% | | | 35% | 199 | |
21. | | War Photographer | 2001 |  | 8,0 | 80% | 92% | | | 40% | | |
22. | | BRASCH – Das Wünschen und das Fürchten | 2011 |  | 6,5 | 0% | 0% | | | 33% | | |
23. | | Sound It Out | 2011 |  | 7,2 | 93% | 76% | | | 36% | 5.045 | |
24. | | Die Kunst der Stille | 2022 |  | | | | | | 50% | | |
25. | | This Mountain Life – Die Magie der Berge | 2018 |  | 7,2 | | | | | 36% | 1.743 | |
26. | | Whores’ Glory | 2011 |  | 7,2 | 0% | 74% | 73,0 | 8,2 | 53% | 3.193 | |
27. | | Es hätte schlimmer kommen können – Mario Adorf | 2019 |  | 7,1 | | | | | 36% | | |
28. | | They Shall Not Grow Old | 2018 |  | 8,2 | | | | | 41% | 20.058 | |
29. | | Ingmar Bergman - Herr der Dämonen | 2017 |  | | | | | | 50% | | |
30. | | Love & Engineering | 2014 |  | 6,0 | 0% | 17% | | | 30% | 175 | |
31. | | Die Gabe zu heilen | 2017 |  | | | | | | 50% | | |
32. | | Wildes Herz | 2017 |  | 7,1 | | | | | 36% | 20.536 | |
33. | | Töte zuerst | 2012 |  | 7,6 | 94% | 79% | | | 38% | 2.771 | |
34. | | Erde | 2019 |  | 7,1 | | | | | 36% | 1.051 | |
35. | | Flee | 2021 |  | 8,0 | | | | | 40% | | |
36. | | Une rose ouverte / Warda | 2019 |  | | | | | | 50% | | |
37. | | Wild Plants | 2016 |  | 6,7 | 0% | 0% | | | 34% | | |
38. | | Volksvertreter | 2022 |  | | | | | | 50% | | |
39. | | 1917 – Der wahre Oktober | 2017 |  | 7,0 | | | | | 35% | 277 | |
40. | | Was kostet die Welt | 2018 |  | | | | | | 50% | | |
41. | | Das Forum | 2019 |  | | | | | | 50% | | |
42. | | Leaning into the Wind – Andy Goldsworthy | 2017 |  | 6,8 | | | | | 34% | 4.730 | |
43. | | Neben den Gleisen | 2016 |  | 6,8 | | | | | 34% | | |
44. | | Scala Adieu – Von Windeln verweht | 2018 |  | 8,1 | | | | | 41% | 761 | |
45. | | Hitlers Hollywood – Das deutsche Kino im Zeitalter der Propaganda 1933–45 | 2017 |  | 6,7 | | | | | 34% | | |
46. | | Der Perlmuttknopf | 2015 |  | 7,6 | 93% | 82% | | | 38% | 0 | |
47. | | Mali Blues | 2016 |  | 7,1 | 0% | 0% | | | 36% | 6.724 | |
48. | | Beyond Punishment | 2015 |  | 7,2 | | | | | 36% | | |
49. | | More than Honey | 2012 |  | 7,6 | 0% | 79% | 70,0 | 7,4 | 53% | 8.893 | |
50. | | Power to Change – Die Energie-Rebellion | 2016 |  | 6,8 | 0% | 0% | | | 34% | 3.593 | |
51. | | I Am Not Your Negro | 2016 |  | 7,8 | 98% | 83% | | | 39% | 213.802 | |
52. | | 20 Feet from Stardom | 2013 |  | 7,4 | 99% | 82% | 83,0 | 20,0 | 61% | 16.351 | 2014 |
53. | | This Ain’t California | 2012 |  | 7,3 | 81% | 83% | | | 37% | 8.636 | |
54. | | Bowling for Columbine | 2002 |  | 8,0 | 0% | 82% | 72,0 | 6,9 | 58% | 6.135 | 2003 |
55. | | Unter Menschen | 2013 |  | 7,9 | 0% | 0% | | | 40% | | |
56. | | Fassbinder | 2015 |  | 6,6 | | | | | 33% | | |
57. | | 10 Milliarden – Wie werden wir alle satt? | 2015 |  | 7,3 | 0% | 0% | | | 37% | 3.984 | |
58. | | Workingman’s Death | 2005 |  | 7,9 | 0% | 95% | 67,0 | 6,8 | 53% | | |
59. | | Sofia’s letzte Ambulanz | 2012 |  | 7,4 | 0% | 71% | | | 37% | 1.235 | |
60. | | Bulb Fiction | 2011 |  | 7,4 | 0% | 0% | | | 37% | | |
61. | | Sleepless in New York | 2014 |  | 6,3 | 0% | 0% | | | 32% | | |
62. | | DramaConsult | 2013 |  | 0,0 | 0% | 0% | | | 0% | 95 | |
63. | | Die Epoche des Menschen | 2018 |  | 7,2 | | | | | 36% | | |
64. | | Slow – Langsam ist das neue Schnell | 2013 |  | 0,0 | 0% | 0% | | | 0% | 1.271 | |
65. | | Notruf | 2014 |  | 6,7 | 0% | 0% | | | 34% | | |
66. | | The Unknown Known | 2013 |  | 7,1 | 0% | 70% | 69,0 | 6,7 | 49% | 809 | |
67. | | Die Nordsee von oben | 2011 |  | 7,2 | 0% | 0% | | | 36% | 10.004 | |
68. | | Rabbi Wolff | 2016 |  | 7,8 | | | | | 39% | 1.310 | |
69. | | Der Kuaför aus der Keupstraße | 2015 |  | 6,4 | | | | | 32% | 388 | |
70. | | Der Fall Chodorkowski | 2011 |  | 7,0 | | | | | 35% | 132 | |
71. | | Die Frau mit den 5 Elefanten | 2009 |  | 7,7 | 0% | 93% | | | 39% | 554 | |
72. | | Der Clown | 2016 |  | 7,9 | | | | | 40% | | |
73. | | Herr von Bohlen | 2015 |  | 7,1 | | | | | 36% | | |
74. | | Das Schiff des Torjägers | 2010 |  | 6,6 | 0% | 0% | | | 33% | 35 | |
75. | | Rhythm Is It! | 2004 |  | 7,8 | 0% | 84% | | | 39% | | |
76. | | Titos Brille | 2014 |  | 7,2 | 0% | 0% | | | 36% | 349 | |
77. | | Was bin ich wert? | 2014 |  | 6,8 | 0% | 0% | | | 34% | 0 | |
78. | | It Must Schwing – The Blue Note Story | 2018 |  | 7,7 | 0% | 0% | | | 39% | | |
79. | | Vom Bauen der Zukunft – 100 Jahre Bauhaus | 2018 |  | 6,7 | | | | | 34% | 2.386 | |
80. | | Fair Traders | 2018 |  | 6,9 | | | | | 35% | 482 | |
81. | | Maria by Callas | 2017 |  | 7,2 | 89% | 77% | | | 36% | 5.404 | |
82. | | Myanmarket | 2017 |  | -1,0 | | | | | -5% | | |
83. | | Black Box BRD | 2001 |  | 7,4 | 0% | 0% | | | 37% | | |
84. | | Gestrandet | 2016 |  | 6,5 | | | | | 33% | 167 | |
85. | | Land in Sicht | 2013 |  | 5,9 | 0% | 0% | | | 30% | 633 | |
86. | | Steve Jobs: The Lost Interview | 2012 |  | 8,0 | 100% | 84% | | | 40% | 188.253 | |
87. | | Untitled | 2017 |  | 7,4 | | | | | 37% | 1.857 | |
88. | | The Substance – Albert Hofmanns LSD | 2011 |  | 7,1 | 0% | 67% | | | 36% | 23 | |
89. | | Wer hat Angst vor Sibylle Berg | 2015 |  | 6,2 | | | | | 31% | | |
90. | | #Female Pleasure | 2018 |  | 7,6 | | | | | 38% | 2.667 | |
91. | | The Act of Killing | 2012 |  | 8,2 | 95% | 85% | 89,0 | 8,3 | 73% | 23.109 | |
92. | | Beerland | 2013 |  | 6,5 | 0% | 0% | | | 33% | 620 | |
93. | | Voices of Transition | 2012 |  | 8,3 | 0% | 0% | | | 42% | 3.157 | |
94. | | O.J. Simpson: Made in America | 2016 |  | 8,9 | 0% | 0% | | | 45% | 4.728 | 2017 |
95. | | Das Herz von Jenin | 2008 |  | 7,8 | | | | | 39% | 539 | |
96. | | Berlin – Die Sinfonie der Großstadt | 1927 |  | 7,6 | 0% | 0% | | | 38% | | |
97. | | David wants to fly | 2010 |  | 6,8 | 0% | 74% | | | 34% | 1.364 | |
98. | | Nostalgia de la luz – Heimweh nach den Sternen | 2010 |  | 7,6 | 0% | 84% | | | 38% | 2.569 | |
99. | | Adopted | 2011 |  | 7,3 | 0% | 0% | | | 37% | 274 | |
100. | | Hello I Am David! – Eine Reise mit David Helfgott | 2015 |  | 7,3 | 0% | 100% | | | 37% | 1.053 | |