1. | | O.J. Simpson: Made in America | 2016 | | 8,9 | 0% | 0% | | | 45% | 4.728 | 2017 |
2. | | Vom Bauen der Zukunft – 100 Jahre Bauhaus | 2018 | | 6,7 | | | | | 34% | 2.386 | |
3. | | Tanja – Life in Movement | 2011 | | 7,4 | 0% | 91% | | | 37% | 487 | |
4. | | Allein die Wüste | 2012 | | | | | | | 50% | | |
5. | | Maria by Callas | 2017 | | 7,2 | 89% | 77% | | | 36% | 5.404 | |
6. | | Wer hat Angst vor Sibylle Berg | 2015 | | 6,2 | | | | | 31% | | |
7. | | When Tomatoes Met Wagner | 2019 | | 6,4 | | | | | 32% | 657 | |
8. | | Wild Plants | 2016 | | 6,7 | 0% | 0% | | | 34% | | |
9. | | Until the Light Takes Us | 2008 | | 7,1 | 48% | 57% | | | 36% | 0 | |
10. | | Herr Wichmann aus der dritten Reihe | 2012 | | 7,2 | 0% | 0% | | | 36% | 207 | |
11. | | Espero tua (Re)volta | 2019 | | 7,5 | | | | | 38% | | |
12. | | Chão | 2019 | | 6,7 | | | | | 34% | 170 | |
13. | | Scala Adieu – Von Windeln verweht | 2018 | | 8,1 | | | | | 41% | 761 | |
14. | | Mein Herz sieht die Welt schwarz | 2009 | | 7,9 | 0% | 0% | | | 40% | | |
15. | | Was kostet die Welt | 2018 | | | | | | | 50% | | |
16. | | The Look – Charlotte Rampling | 2011 | | 6,7 | 84% | 50% | 58,0 | | 39% | | |
17. | | Bitte nach Mitte | 2019 | | | | | | | 50% | | |
18. | | Winternomaden | 2012 | | 7,5 | 0% | 100% | 77,0 | | 58% | 825 | |
19. | | Alpgeister – Mythen und Mysterien der Bayerischen Alpen | 2019 | | | | | | | 50% | 128 | |
20. | | Zero Days | 2016 | | 7,8 | 0% | 74% | 78,0 | 7,3 | 61% | 0 | |
21. | | #Female Pleasure | 2018 | | 7,6 | | | | | 38% | 2.667 | |
22. | | El Bulli – Cooking in Progress | 2010 | | 6,4 | | | | | 32% | 8.157 | |
23. | | München in Indien | 2013 | | 7,0 | 0% | 0% | | | 35% | 0 | |
24. | | Nach der Stille | 2011 | | 7,7 | 0% | 0% | | | 39% | | |
25. | | Pianomania | 2009 | | 7,5 | 76% | 81% | | | 38% | 0 | |
26. | | Sympathisanten – Unser Deutscher Herbst | 2018 | | 6,2 | | | | | 31% | 419 | |
27. | | Iraqi Odyssey | 2014 | | 7,4 | 0% | 60% | | | 37% | 7.159 | |
28. | | Dem Himmel ganz nah | 2010 | | 7,9 | | | | | 40% | | |
29. | | Messner | 2012 | | 7,1 | 0% | 0% | | | 36% | 5.008 | |
30. | | Im Ring | 2019 | | 8,3 | | | | | 42% | | |
31. | | Gestrandet | 2016 | | 6,5 | | | | | 33% | 167 | |
32. | | Wiedersehen mit Brundibár | 2014 | | 6,9 | | | | | 35% | 1.463 | |
33. | | Dancing Beyond ... | 2015 | | | | | | | 50% | | |
34. | | Vergiss mein nicht | 2012 | | 7,5 | 0% | 100% | | | 38% | 3.271 | |
35. | | The Other Side Of The River | 2022 | | | | | | | 50% | | |
36. | | Jean Tinguely | 2011 | | -1,0 | 0% | 0% | | | -5% | | |
37. | | The Substance – Albert Hofmanns LSD | 2011 | | 7,1 | 0% | 67% | | | 36% | 23 | |
38. | | Peter Pfister – Der Pferdemann | 2019 | | | | | | | 50% | 1 | |
39. | | Der Fall Chodorkowski | 2011 | | 7,0 | | | | | 35% | 132 | |
40. | | Die Rote Linie – Widerstand im Hambacher Forst | 2019 | | 7,4 | | | | | 37% | 1.473 | |
41. | | Hello I Am David! – Eine Reise mit David Helfgott | 2015 | | 7,3 | 0% | 100% | | | 37% | 1.053 | |
42. | | Cicero – Zwei Leben, eine Bühne | 2022 | | 8,0 | | | | | 40% | | |
43. | | Joschka und Herr Fischer | 2011 | | 6,8 | 0% | 0% | | | 34% | 1.238 | |
44. | | Herr von Bohlen | 2015 | | 7,1 | | | | | 36% | | |
45. | | Schotter wie Heu | 2002 | | 7,8 | 0% | 0% | | | 39% | | |
46. | | Sofia’s letzte Ambulanz | 2012 | | 7,4 | 0% | 71% | | | 37% | 1.235 | |
47. | | They Shall Not Grow Old | 2018 | | 8,2 | | | | | 41% | 20.058 | |
48. | | Gerhard Richter – Painting | 2011 | | 7,2 | 89% | 73% | | | 36% | 6.785 | |
49. | | Erde | 2019 | | 7,1 | | | | | 36% | 1.051 | |
50. | | Mollath – „und plötzlich bist du verrückt“ | 2015 | | 7,1 | 0% | 0% | | | 36% | 639 | |
51. | | Die Thomaner | 2012 | | 7,7 | | | | | 39% | 551 | |
52. | | Kings of Kallstadt | 2014 | | 6,2 | | | | | 31% | 1.570 | |
53. | | Es hätte schlimmer kommen können – Mario Adorf | 2019 | | 7,1 | | | | | 36% | | |
54. | | Samsara | 2011 | | 8,5 | 0% | 87% | 65,0 | 8,2 | 55% | 89.489 | |
55. | | Nanga Parbat | 1953 | | 7,3 | | | | | 37% | | |
56. | | Volksvertreter | 2022 | | | | | | | 50% | | |
57. | | Kedi – Von Katzen und Menschen | 2016 | | 7,7 | 0% | 84% | | | 39% | 6.724 | |
58. | | Code of Survival – Die Geschichte vom Ende der Gentechnik | 2017 | | 6,6 | | | | | 33% | 1.713 | |
59. | | Das Schiff des Torjägers | 2010 | | 6,6 | 0% | 0% | | | 33% | 35 | |
60. | | Whores’ Glory | 2011 | | 7,2 | 0% | 74% | 73,0 | 8,2 | 53% | 3.193 | |
61. | | Lord of the Toys | 2018 | | 6,6 | | | | | 33% | 0 | |
62. | | Balkan Melodie | 2012 | | 8,1 | 0% | 0% | | | 41% | 0 | |
63. | | Verdun – sie werden nicht durchkommen | 2013 | | | | | | | 50% | | |
64. | | Titos Brille | 2014 | | 7,2 | 0% | 0% | | | 36% | 349 | |
65. | | Love & Engineering | 2014 | | 6,0 | 0% | 17% | | | 30% | 175 | |
66. | | 20 Feet from Stardom | 2013 | | 7,4 | 99% | 82% | 83,0 | 20,0 | 61% | 16.351 | 2014 |
67. | | Fighter | 2016 | | 8,1 | | | | | 41% | 872 | |
68. | | Die Geschichte vom weinenden Kamel | 2003 | | 7,4 | 94% | 87% | 81,0 | 8,6 | 60% | 160 | |
69. | | Neukölln Unlimited | 2010 | | 7,2 | 0% | 0% | | | 36% | 1.877 | |
70. | | Entre les Bras – 3 Sterne. 2 Generationen. 1 Küche. | 2012 | | 6,2 | 67% | 45% | | | 31% | 541 | |
71. | | Night Will Fall | 2014 | | 8,0 | 100% | 92% | | | 40% | | |
72. | | Alphabet | 2013 | | 7,4 | 0% | 73% | | | 37% | 17.492 | |
73. | | Call Me Kuchu | 2012 | | 7,6 | 98% | 88% | 80,0 | 6,0 | 61% | 5.300 | |
74. | | Keep Surfing | 2009 | | 7,3 | 0% | 0% | | | 37% | 18.075 | |
75. | | Weil du nur einmal lebst - Die Toten Hosen auf Tour | 2019 | | 7,4 | | | | | 37% | | |
76. | | Hüte dich vor Ginger Baker | 2012 | | 7,6 | 98% | 86% | | | 38% | 12.370 | |
77. | | Myanmarket | 2017 | | -1,0 | | | | | -5% | | |
78. | | Ingmar Bergman - Herr der Dämonen | 2017 | | | | | | | 50% | | |
79. | | It Must Schwing – The Blue Note Story | 2018 | | 7,7 | 0% | 0% | | | 39% | | |
80. | | Amma & Appa – Eine bayerisch-indische Liebe | 2014 | | 7,4 | 0% | 0% | | | 37% | 0 | |
81. | | The Big Eden | 2011 | | 7,3 | 0% | 0% | | | 37% | 131 | |
82. | | PUSH – Für das Grundrecht auf Wohnen | 2019 | | 7,2 | | | | | 36% | 454 | |
83. | | Woody Allen: A Documentary | 2011 | | 7,7 | | | | | 39% | 4.647 | |
84. | | Tardi – Schwarz auf Weiß | 2014 | | | | | | | 50% | 203 | |
85. | | Roman Polanski: Mein Leben | 2011 | | 7,2 | 90% | 75% | | | 36% | | |
86. | | Mali Blues | 2016 | | 7,1 | 0% | 0% | | | 36% | 6.724 | |
87. | | Das Lied des Lebens | 2013 | | 0,0 | 0% | 0% | | | 0% | 88 | |
88. | | DramaConsult | 2013 | | 0,0 | 0% | 0% | | | 0% | 95 | |
89. | | Eldorado | 2018 | | 7,0 | | | | | 35% | | |
90. | | Frank Zappa – Eat That Question | 2016 | | 7,5 | 0% | 73% | 74,0 | 5,5 | 56% | 11.532 | |
91. | | The Cleaners | 2018 | | 7,2 | 0% | 75% | | | 36% | | |
92. | | Die Familie | 2013 | | 6,7 | 0% | 0% | | | 34% | 348 | |
93. | | Das Salz der Erde | 2014 | | 8,5 | 0% | 90% | 83,0 | 8,3 | 71% | 0 | |
94. | | Citizenfour | 2014 | | 8,1 | 0% | 87% | 88,0 | 7,7 | 71% | 58.852 | 2015 |
95. | | We Feed the World – Essen global | 2005 | | 7,5 | 0% | 79% | | | 38% | 2.975 | |
96. | | Der Waldmacher | 2022 | | 7,2 | | | | | 36% | | |
97. | | Klitschko | 2011 | | 7,7 | 0% | 84% | | | 39% | 6.997 | |
98. | | We Are All Detroit – Vom Bleiben und Verschwinden | 2021 | | 6,8 | | | | | 34% | | |
99. | | Die Gabe zu heilen | 2017 | | | | | | | 50% | | |
100. | | Where’s the Beer and When Do We Get Paid? | 2013 | | 7,8 | | | | | 39% | | |